Stephan Grunenberg (b. 1954, Frankfurt am Main) works between abstraction, figuration and collage. On canvas and paper, he builds semi-figurative compositions from layered colour fields, gestural marks, overlapping forms and reworked surfaces. Informed by his work as an illustrator and as co-editor of the art magazine ROGUE, his practice transforms fragmented bodies, everyday objects and personal memories into pictogram-like signs.
Trained under Thomas Bayrle at Frankfurt’s Städelschule, Grunenberg emerged in the experimental art scene of West Germany in the late 1970s and 1980s, drawing on post-war abstraction, Pop Art and expressive painting.
His recent paintings turn the canon on its head, or rather onto its legs: heads and torsos disappear, while legs, clothing and patterned fabrics take the stage. Balancing painterly spontaneity with carefully orchestrated compositions, these enigmatic pictures allow familiar forms to take on unexpected meanings, in which humour and melancholy coexist.
His works are held in public and private collections, including the Hessian State Parliament and the Miettinen Collection, Berlin.
"Grunenberg's not-so-simple painting playfully questions painterly, social and art-historical hierarchies. Everything in these idiosyncratic pictures has meaning, is equal, nothing is taboo or too banal. Everything is there because it should be, finds its place in this painting – and thus in the world."
— Oliver Koerner von Gustorf